I’ve
been stymied for three+ weeks about how to do what I wanted to do: weave a
great horned owl and Leonard Cohen into a single cohesive blog posting. Then it dawned on me; I’ll just plunk those
two disparate elements down on the page the same way life presented them to
me. First one, then the other. Bam. Bam.
Hmmm…surprising juxtapositioning may amuse.
First,
I give this post lift off with Bubo virginianus, the owl who came to tea towards sunset on Site #97 at Everglades
National Park’s Long Pine Key campground on the Vernal Equinox Eve. (See http://www.owlpages.com/owls.php?genus=Bubo&species=virginianus.)
There
we were, my beloved Roger and I, in the March evening light, pale half-moon
overhead the eve of the Leonard Cohen concert in nearby Maimi, listening to
the master of song’s most famous song, Hallelujah on my MP3 player broadcast
over minipod speaker. I was trying to convey to Roger that it’s the greatest
anthem of love of the modern era. Everybody’s recorded it. A whole book has
been written about this one song by The New York Times contributor Alan
Light. I’d just read it to psych myself
for the concert. Now this is Leonard
Cohen at his best, I pronounced as Roger dutifully tuned in, sipping his
Honeybush tea, nibbling an I’d-Marry-You-All-Over-Again cookie.
Suddenly
a sharp cry came from just behind our site at pine forest edge.
What’s that?
Catbird? Nah, can’t be, I said.
Roger
reached across the upended bin “table,” put his left hand on my arm and with his
right hand pointed up toward the trees.
Ohmigod, a great
horned owl,
I whispered. Lo and behold, there was the great big bird in full view lording
it over us from only thirty feet back and thirty feet up, staring down on us.
With one tap of a fingertip, I shut down my gizmo Mid-Hallelujah. Halle—
And in the ensuing quiet, I whispered, Ohmigod,
it’s a hallelujah owl! The great horned was a great gift from the Universe
delivered to us and us alone at Site #97.
Since
my camera was right there, I didn’t even have to launch myself out of my camp
chair; I just leaned to the right, held my hands steady and shot. And shot. And shot. In low Everglades
evening’s subtropical light, I captured the hallelujah owl. Then I put my
camera down to just stare back.
He
cried twice more. It wasn’t the usual basso profundo Who? hoot, but a fierce one-note cry, one piercing deep screech. A
mating call? His Bubo hallelujah?
Roger
held my hand and we watched the magisterial creature in silence until he
swooped silently away. We figured a good five minutes we’d sat in
the great one’s great presence on Vernal Equinox Eve.
The
next night? The great man himself at
the William P. Knight Center. Forty-five years I’d been following Leonard Cohen
and for the first time, on the Equinox no less, I got to see him in person.
Ever since Suzanne, in the 1960s, near the beginning of his music career. This
year I’m sixty, and he’s seventy-nine, two years’ shy of Roger.
And
you know what? Leonard’s still doing it like a pro. I’m still swooning.
For
three-and-a-half hours, maybe thirty songs – including Hallelujah with the
entire house singing the chorus – the man did it to me sooooooooooooo good. And
Roger too was mesmerized to be with me in Cohen’s great presence at my all-time,
best-ever musical experience, yes, the very best of my lifetime.
Goodness,
how do you synthesize that great owl, that great man? How bind together into an unbroken skein of words? A
poem answered:
Following
Leonard Cohen’s Lead
Hallelujah
owl – the great horned who-er
of
Everglades pines, magisterial, mythical
by
Equinox Eve half-moon, come
to gather up our
brokenness
on silent wings.
Hallelujah
stilt – black-necked ilk
skating
spring Equinox shallows,
score
of more on skinny legs come
to gather up our
brokenness, banish
the hunger.
Hallelujah
storks, hallelujah spoonbills—
woodies
and pinkos of Parotis Pond’s
rookeries,
dozens abuzz as if come
to gather up our
brokenness with
procreation.
Hallelujah,
birds— we fly, we feed, we breed
the
wild, our imagination made entire.
for Roger
***
P.S.
Having celebrated Roger’s 81st birthday last week with an outing to
Lovers Key beach one last time this winter, we now prepare to depart for home
on Sunday. As I pack up for the season, I’ll leave behind for you, dear reader,
these humble gifts of poetry.
- This one is definitely for the birds…and bird lovers. It’s a new anthology, Poised In Flight, from Kind of a Hurricane Press, and holds within its pages three of my poems. Read online at https://docs.google.com/file/d/0B-DuKJaq66ClSkR4dWxzNFBSN0E/edit - or order a copy in paperback, available at http://www.amazon.com/Poised-Flight-A-J-Huffman/dp/1482734222/ref=sr_1_1?ie=UTF8&qid=1364912710&sr=8-1&keywords=Poised+in+Flight Thank you, Hurricane editor Amy Huffman!
- Check out Steel Toe Review’s annual anthology at http://steeltoereview.com/2013/02/06/three-poems-by-karla-linn-merrifield-2/ Great to be in such great company, including one of my poet-heros, Jim Daniels.
- Editors Michele Lesko and Sherry O’Keefe have outdone themselves with the new issue of Ithaca Lit. Fine, fine work there too!http://ithacalit.com/karla-linn- merrifield1.htm
- I was exceedingly delighted to be published (nice and cozily with editor Walter Ruhlmann) in the new erotica issue of mgv2datura: http://issuu.com/mgversion2/docs/mgv2_72?mode=window&viewMode=doublePage It’s also available in paperback as you’ll see on the site. Hot stuff!
- I’ve made a new poet –friend in ghazal master Gene Doty, who edits The Ghazal Page, a journal devoted to the ancient Persian poetic form. In March, to my delight, he published three of my ghazals in March. To read two of them, go to http://www.ghazalpage.net/2013/march-03.html
- And, last but not least, I’m most proud of the new issue of The Centrifugal Eye (http://www.centrifugaleye.com – and available as a collector’s edition from Lulu at http://www.lulu.com/shop/eve-anthony-hanninen-editor/the-centrifugal-eye-winterspring-2013/paperback/product-20943054.html) Look for a poem, two photographs and my book review column as well as the illuminating poetry by Colleen Powderly, Tim Diggles, Janice D. Soderling and, oh my, many other fine poets and artists. Editor Eve Hanninen is the empress of editors.
And,
please, if you haven’t done so already, order a copy of my new Lithic Scatter and Other Poems: http://www.amazon.com/Lithic-Scatter-Other-Poems-Merrifield/dp/0988227991/ref=sr_1_1?ie=UTF8&qid=1364661594&sr=8-1&keywords=karla+linn+merrifield
Or, drop me an email to get a
signed copy (with no shipping/handling fees).
And,
take note: Coming in May: My new book of
poetry and photography, Attaining Canopy:
Amazon Poems from FootHills Publishing.
Also, if you’re in the Western New York area this spring, please join me for my official launch
reading for both Lithic Scatter and Attaining Canopy. That’s Saturday, May
18 at 2 p.m. at Lift Bridge Book Store, 45 Main Street, Brockport, NY. It’s
free and open to the public; refreshments will be served and I’ll be signing
books.
Happy
spring to all! And thank you for
reading.