“THE
NEXT BIG THING” asks writers to self-interview about their books
with 7-8 designated questions, post somewhere in the blog-o-sphere and then
“tag” five writers for the next week to do the same. Eve Hanninen, editor
of The Centrifugal Eye, and Mary
Jo Balistreri both tagged me, and in turn I’m tagging writers Laury A. Egan,
Sudasi J. Clements, John Roche, Colleen Powderly and Catherine Underhill
Fitzpatrick. Now all they have to do is
complete the interview questions below and get their self-interviews out into Cyberspace
on their blogs, websites or in social media.
Here are my answers to NBTBH interview questions:
What
is the working title of the book?
My
new book went through several working titles over the years, including Magpie Muse and Dancing with Green Bees. The final title of the newly published
book is: Lithic Scatter and Other Poems.
Where
did the idea come from for the book?
Lithic Scatter was seventeen years
and many thousands of miles in the making.
I began writing it on my first road trip west in 1996 with my then
fiancé. I’d flown over the United States
to San Francisco and Los Angeles but had never driven the breadth of our
magnificent country. So, when I first set
foot in the Badlands west of the Mississippi, I began to write. “Feet of Clay” officially
became my first Western poem. And the clay of that poem firmly grounded me in
the geology of the American West. I just kept on writing through many more such
road trips, listening to the land.
What
actors would you choose to play the part of your characters in a movie
rendition?
I’m not sure how you take a collection of poetry and
turn it into a movie, but perhaps such a film could recreate in celluloid the
world of the Ancient Puebloans and their lives in the desert, homes among the
cliffs. The cover art, one of my
photographs and titled “Self-Portrait, c. 1140 CE,” would be the main character
and narrator. She’d have to be played by a grand dame of cinema. I’d cast Judy Dench in the role!
What
is the one sentence synopsis of your book?
At once
sweeping, visceral,
earthy, gritty, ethereal, and primordial, Karla
Linn Merrifield’s Lithic Scatter and
Other Poems presents the frontier seen — and felt — through the eyes
of a visionary poet who explores the region’s vast terrains as anthropologist
and archeologist, historian and ethnographer, shaman and seeker-after-self.
How
long did it take you to write the first draft of the manuscript?
As I mentioned above, Lithic Scatter took seventeen years to write, but the initial draft
congealed in late 1999 after my husband’s and my second trip west, what we
refer to as “Wild West II,” which
happened to be our honeymoon trip, and then followed by our 14-day dory
adventure down the Colorado River, an expedition that changed my life because I
almost lost my life at one point in the journey. Many of the poems compiled in that first
iteration have gone by the wayside – for now. I’ve kept all those “deleted”
poems and will no doubt return to them in the future. For a sequel? Perhaps.
And with new ones I’ll no doubt write this summer when we make yet
another road trip to the Southwest.
Who
or what inspired you to write this book?
Landscapes. Petroglyphs and pictographs. Wildness of
rivers and wildness of mountains and wildness of the creatures who dwell in
them. Ponderosa pines and bristlecone pines. Rice grass and cacti. Scree, talus
and lithic scatter. The ghosts of the Ancient Puebloans often referred to as
Anasazi. Western writers such as Wallace Stegner and Edward Abbey. Georgia
O’Keeffe and her vision of the West.
Most of all: my husband who was with me every step of the way.
What
else about your book might pique the reader’s interest?
I can think of any number of things! For example,
there’s definitely a feminist slant to many of the poems, so I can imagine many
women embracing the book with nods of approval for the roles women play in the
poems, from the title poem to “Amazons of the Anasazi Follow the Chimney Rock
Tour Guide.” Art lovers can certainly appreciate the suite of five poems about
Georgia O’Keeffe, “A Vocabulary of Circular Forms.” Nature lovers will have a
great time meeting up with the flora and
fauna of the American West. And a long odyssey across country through a dozen states
should satisfy fellow vagabonds as well as arm-chair travelers.
Will
your book be self-published or represented by an agency?
The book was published in February by Mercury
Heartlink in Albuqueque, New Mexico. That it’s a such a beautiful book to hold
in your hands is due to publisher and designer (and fellow poet) Stewart S.
Warren. His loving attention to detail reminds me of the artistic craft
expressed by the Anasazi in their petroglyphs— timeless.
.
***
Ready to order your copy of Lithic Scatter and Other Poems?! To order a signed copy (with no postage!), email me at klmerrifield@yahoo.com and I'll tell you where to mail your check. Or order from Amazon at http://www.amazon.com/gp/product/0988227991/ref=cm_cr_dpvoterdr?ie=UTF8&keywords=Karla%20Linn%20Merrifield&qid=1360946137&sr=8-1#R39EAPGXE1C8FU.2115.Helpful.Reviews.
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And here's another link to The Centrifugal Eye's Next Big Thing posting -- celebrating the journal's 5th Anniversary Anthology: http://nephologia.blogspot.com/. Now there's another book you should have on your shelf...better yet, in your hands.
And meet my poet-friend Jo Balistreri at http://www.facebook.com/jo.balistreri?ref=ts&fref=ts.
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Happy trails to the Spring Equinox!
3 comments:
I really enjoyed hearing about the "inner world" and history of Lithic Scatter, Karla. I look forward to getting to read the entire collection.
Thank you for your contribution - we have enjoyed reading your blog! warmest regards The Editor
So glad my friend Jim Bowen referred me here. After reading just one post, and one poem (previewed on Amazon), I'm hooked. I would love an autographed copy.
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